Shot from almost 2 dozen angles (!) here is the complete multi camera show of the current version of the west coasts Fantasmic!. Every part of the show is covered, shot and mastered in full HD with a source / clean live pyro stereo audio mix including effects missing from the usual recordings. Also included is a look around the stage during daylight and the alternate non-Murphy pre-finale as well as Murphy in action.
Shot in September 2010, here is the full now-extinct parade from DCA, shot from multiple angles in full HD with a source/induction/live audio mix.
The now extinct energetic Disneyland parade, shot in full from multiple angles to cover each main float as well as the parade, including the full show stop, with a source / induction / live ambience audio track. Also includes the Honorary VoluntEARS preparade. Enjoy!
Experience the rush of getting a Fastpass for the show, then gather in Paradise Park as the sun drops to see the whole World of Color show, shot from multiple angles in HD to cover every detail with a remixed source audio / live atmosphere soundtrack. Also included in full, again from multiple angles/source audio is the regular postshow.
My first edit from the west coast, here is Disneylands summer fireworks show, shot in full HD and presented here at 720p. The whole show, shot from multiple angles with a source audio / clean live pyro audio track.
Now the US versions of the original attraction have closed, here is an edit that was six months in the making.
Start way back with the history of attempting to use a motion base as an attraction, then see the developing relationship between George Lucas and Michael Eisner. Follow the ride planning, with a full concept and construction section for both parks. See the Disneyland opening, and changes added over the years. Next see the original Disney-MGM exteriors and also changes made over the years. This is followed by a full tour of the Disney’s Hollywood Studios exterior as it was before closing and a look at the differences to the preshow and boarding area layout. The take a full look at the Disneyland queue and preshow areas, again just before closing, shot by Chris Bales.
Next is the full multi camera, mostly tripod shot preshow in both the lower and upper rooms. All droids, Starspeeder effects, video wall, details, everything – both the R2D2/C3P0 and GT-4T and GT-9T preshows are shown in full from multiple angles, with source audio. Wander through the line taking in the details, arrive at load and watch the overhead monitor as your flight to the moon of Endor is prepared, followed by the safety video – again tripod shot with source audio. Next walk into your speeder for a split screen full ride using source ride film and incabin coverage of REX, the side video screen and the in-cabin effects. This is set to a new stereo source mix of the ride audio, remixed to bring the score forward more and with added incabin audio effects to sound just like the attraction did.
Finally, exit the Disneyland ride and walk into the store, then exit the Orlando version and walk into the store too. Finally, take a look at both closed attractions as the adventure gets ready to continue.
65 minutes long. Enjoy!
**This Video Has Been Split Into Two Parts, So That It Would Meet Vimeo’s File Size Requirements – If You Wish To Download The Full Video In One File, Please Visit MouseBits.com**
Shot in both Epcot and Disneyland, here is a full multi camera record of the 1994 3D attraction.
Take a full HD daytime tour of the Epcot Imagination fountain garden, then walk into the Imagination Institutes Magic Eye Theatre. First watch a handheld video of the whole True Colors preshow with source audio. Then watch a full handheld video of the original Californian preshow with Dr. Channing being interviewed for WNN-TV. Finally, see the whole recent preshow video tripod shot in HD including the full slogan video, the full What Will You Imagine preshow and the full introduction safety video with a clean ALD/induction audio mix. Finally, walk into the main theatre for a tripod shot main show with a new stereo source quality audio mix, and both main and side screens tripod shot with the main screen having flicker removal and polarised 2D filters. To finish, walk out for a look at Epcots fountain garden at night. Main show shot in Disneyland in 2009 with permission.
50 minutes long. Enjoy!
The full version of Disneylands fireworks show, shot from multiple angles by Chris Bales and presented in full widescreen DV quality with a source score / live clean pyro audio mix.
The whole Halloween fireworks presentation, shot in 16:9 to DV standard from
multiple angles with an ALD audio / live pyro mix. Enjoy!
My first DVD quality edit on my new edit system. The entire show, show from 12 angles – mostly with tripod – and sourced from HD. Also has a source music / clean live pyro audio mix.